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Beaux Arts Trio
B.p. m., Friday
October 25, 1985
Dinkelspiel
Auditorium
lt ~ THE LIVELY ARTS
ATST FORD
.·..~ presents ....,'.(. .
Beaux Arts Trio
MENAHEM PRESSLER, piano
ISIDORE COHEN, violin
BERNARD GREENHOUSE, cello
PROGRAM
Trio in C Major, Hob. XV, No. 27
Allegro
Andante
Finale: Presto
Trio No. 3 in G minor, Op. 110
Bewegt, doch nicht zu Rasch
Ziemlich Iangsam
Rasch
Krastig, mit Humor
Intermission
Trio elegiaque in D minor, Op. 9
Moderato-allegro vivace
Quasi variazione
Allegro resoluto- moderato
Franz Joseph Haydn
(1732-1809)
Robert Schumann
(1810-1856)
Sergei Rachmaninoff
(1873-1943)
Steinway Piano Philips and Mercury Records
Management: COLUMBIA ARTISTS MANAGEMENT INC.,
Personal Direction: DAVID V. FOSTER, Associate: Hattie Clark,
165 West 57th Street, New York, NY 10019, (212) 397-6900
Smoking is not permitted in the auditorium or lobby.
Li vely Arts performances start on time. To avoid being seated after the performance
has started please come at least 30 minutes before curtain. Latecomers
will be seated at appropriate intervals. Food or beverages are not
allowed inside the auditorium. The use of recording devices and/or cameras
is forbidden. Please turn off all electronic time pieces before the concert begins
so they will not interrupt the concert and disturb other audience
members.
Lively Arts events are catered by the "Candis Company:'
The Beaux Arts Trio's extensive discography on Philips
Records encompasses the entire piano trio literature and
has brought the ensemble many coveted awards, including
the Prix Mondial du Disque, the Grand Prix du Disque, the
Union de Ia Presse Musical Beige, the Gramophone "Record
of the Year" and, in 1983, the Stereo Review "Record of the
Year" Award.
Commemorating the Trio's 30th anniversary season is the
recently released book, The Beaux Arts Trio-A Portrait,
written by Nicholas Delbanco and published by William
Morrow & Company, which details the individual lives,
musical philosophies and group history of these venerable
musicians in their three decades of superlative music
making.
MENAHEM PRESSLER, pianist, was born in Magdeburg,
Germany and grew up in Israel. He began his professional
career in the United States at the age of 17 when he
won First Prize in San Franciscds first International Piano
Competition. This auspicious achievement led to solo appearances
with major U.S. orchestras; his first American
tour was highlighted by five solo performances with the
Philadelphia Orchestra. Since then, Mr. Pressler has appeared
with other orchestras of international renown including
the New York Philharmonic, Cleveland Orchestra, National
Symphony in Washington, D.C., Israeli Philharmonic
and London Philharmonic.
The pianist tours extensively world-wide both with the
Trio and as a soloist. He holds the position of Distinguished
Professor of Music on the faculty of the Indiana University
School of Music and also takes time every winter to teach at
the Jerusalem Music Center. He has recorded for Philips,
Musical Heritage Society and Monitor.
ISIDORE COHEN, violinist, was born in New York City
of Russian immigrant parents. Originally planning a career
in medicine, he grew to love the violin while in the armed
service. Upon his discharge, he was accepted by the Juilliard
School to study with Ivan Galamian. He has been concertmaster
of the Mostly Mozart Festival in Lincoln Center
(where he has also appeared as soloist), Little Orchestra
Society in New York and the orchestra of the Casals Festival
in Puerto Rico, among others. Mr. Cohen has made frequent
solo appearances throughout the United States, and
his extensive chamber music background includes membership
in the Juilliard String Quartet, the Schneider Quartet
and appearances with the Budapest Quartet and Music
From Marlboro. He is permanently associated with the
Marlboro Festival.
BERNARD GREENHOUSE, cellist, was born and raised
in New Jersey. He studied at Juilliard and made his New
York recital debut at Town Hall to great critical acclaim.
Mr. Greenhouse then went to Europe for an audition with
Pablo Casals which resulted in two years of study with the
great Spanish master. Casals wrote, "Bernard Greenhouse is
not only a remarkable cellist, but what I esteem more, a
dignified artist:' Since then Mr. Greenhouse has made
appearances in most of the major cities of Europe and
America in recital, with orchestra and chamber music
ensembles; he has recorded for CBS, RCA, Concert Hall
and the American Recording Society. He plays the famous
"Paganini" Stradivarius cello dated 1707. Mr. Greenhouse
has been a member of the faculty of the Manhattan School
of Music and the State University of New York at Stony
Brook, where he is Professor of Music.
PROGRAM NOTES
"Haydn was the founder of an epoch in musical culture ...
original and abundant ideas, deep feeling, fantasy wisely
controlled by a penetrating study of the art ... the slyest
humor ... and easy flow and free movement ... distinguish
his earlier and latest works alike:' These words by Georg
August Griesinger, Haydn's friend and biographer, were
published in 1810, in homage to a man whose painstaking
devotion to his art, unpretentious nature and honorable,
generous conduct throughout his life won him the universal
admiration of his colleagues and public alike. His "popular
artistry", already noted in the Leipzig Musikalische Zeitung
in 1801, reached its greatest heights after 1791, inspired by
two journeys to London, in which he was freed from the
routine duties of his position at Eisenach, and whose successes
enhanced his prestige and renown upon his return to
Vienna. The C Major Trio was one of three composed during
the second London visit (1795) and dedicated to
Therese Bartolozzi, a renowned amateur pianist, works
that, in their strongly characterised idiom and expansion,
show marked advances in a medium that Haydn had not
used since the 1860s. The first movement is a march-like
Allegro abounding in contrasted ideas and styles, both lyric
and virtuosic. The graceful charm of the second movement
transforms suddenly to a passionate and exploratory central
episode before its peaceful closure. The last movement
shows Haydn at his most brilliant, witty and exuberant, in
music that is a tour de force of both contrast and continuit¥-
The sad decline in health, professional recognition and.
sustained musical inspiration that marked Schumann's.last
years has led critics to undervalue greatly his later works; '
the outpouring of songs that occurred in 1840, the year- @f
his engagement and marriage to Clara Wieck, set a standard
that he was never to surpass. His personal life was
marred by the onset of increasingly frequent bouts of depression.
Even as early as 1843, in his position as Professor
of Composition and Pianoforte at the Leipzig Conservatoire
(a post obtained for him by Mendelssohn), he no longer
showed the commitment and enthusiasm for the work of
other aspiring artists that had distinguished his work as
Editor of the Neue Zeitschrift fur Musik. One student,
Wasielewski, decribes Schumann's behaviour...!'the whole
lesson passed off with Schumann saying hardly a word,
though I remember very clearly that there would have been
reason enough for him to do so:' What Hanslick has described
in his music as "brooding manner and agonizing
lack of concentration" became an increasing embarrassment
in Schumann's domestic and professional life, as he alienated
both patrons and colleagues through his taciturn and
abrupt behaviour. It is surprising that 1848, the year in
which revolutionary fervour swept Europe, witnessed a revival
in Schumann's creativity (during which time he put
aside all other concerns- including the political issues
which were so important to him as a young man). However,
despite the continued deterioration in his health (extremes
of mood, auditory delusions), Schumann composed regularly
and with some success; Waldscenen, the Rhenish Symphony
and the Cello Concerto are just three of the betterknown
works of this period. The third Piano Trio was
composed in 1851, the year in which Schumann's incompetence
as a conductor was finally to sever his connection with
the municipal orchestra and choir in Dusseldorf. The trio
exhibits extremes of mood ranging from exalted lyricism to
nervous impetuosity, from introspection to buoyant energy;
if the work lacks formal concentration, it overflows with the
expressive qualities for which Schumann's music is regarded
as the epitome of early romanticism in music.
In the years immediately preceding the catastrophic premiere
of his first symphony (1897), Sergei Rachmaninoff
had established himself as the most promising of the
younger generation of composers in Moscow, and his compositions
were actively sought by the leading publisher
Gutheil. As a pianist, although his talent was early recognised
(his classroom colleagues at the Conservatory included
Scriabin and Lhevinne), he was not considered destined
for a career as an international virtuoso. This was a
choice he adopted only after leaving Russia for the last time
in 1917.
Bom to an aristocratic family of some artistic distinction
(his grandfather Arkadi had studied piano with John Field
in Moscow), Rachmaninoffwas educated in St. Petersburg,
after the financial squandering of his father had forced the
family's move from Moscow. It was his cousin Siloti, then
more famous as a pianist, who had recommended his return
to Moscow, to study with Taneyev, Sverev, and Safonoff.
Whereas St. Petersburg had favored its traditional association
with French culture, and had encouraged the work
of Borodin, Mussorgsky and Rimsky-Korsakov, Moscow
was the center of German influence, its most revered figure
being Tchaikovsky. Rachmaninoff's meetings with Tchaikovsky
had immediate and lasting impact on the young
composer, and his admiration was fully reciprocated. The
success of his first opera ''Aleko" (which was completed in
fourteen days, fully scored) owed much to Tchaikovsky's
public support. The latter's death in 1893 was a severe blow
to Rachmaninoff, and in his honor he revised the piano trio
that he had written earlier. His debt is expressed in the
open imitation of the trio that Tchaikovsky had written as
an elegy upon the death of the great pianist Nikolai Rubinstein
in 1881. The work is distinguished by a repeated use
of "motto" themes, a rhapsodic style that is varied, expansive
and full of instrumental virtuosity, and a funereal
conclusion that recalls the somber opening measures.
~ 1985 Nicholas Isaacs
ABOUT THE PERFORMERS
The Beaux Arts Trio celebrates its 30th anniversary this
season. The Trio's official public debut at the 1955 Berkshire
Music Festival at Tanglewood marked the beginning
of one of the most successful musical collaborations of our
time. In three decades of concertizing throughout North
America, Europe, Japan, South America, the Middle East,
Australia and New Zealand, the Beaux Arts Trio has elevated
the status of the previously neglected piano trio literature
to the level of that for string quartet, fueled the public's
continuing passion for chamber music, and won admiration
from critics and audiences matched by few ensembles of
any kind.
Among the many concerts the Trio performs each season
are perennial engagements at the Library of Congress, the
Metropolitan Museum of Art series in New York, Chamber
Music of Chicago, Miami Friends of Music, Montreal Morning
Musical Club, Torontds Center Stage series, Louisville
Chamber Music Society, and every other year, the Denver
and Detroit Chamber Music Societies, to name only a few.
The Beaux Arts Trio also lends its distinction season after
season to many major music festivals, including South
Mountain, Ravinia and Tanglewood, as well as to the concert
series of such institutions as Harvard, Princeton and
John Hopkins Universities and the University of Missouri
at Columbia. ·
LIVELY ARTS PATRONS
The following is a list of Patrons (through September 20, 1985)
who have chosen to give a tax-deductible contribution of at least
$35 or more to the Lively Arts. We are delighted by their gener·
osity and faith in our programming. If you do not see your name on
this list and you have made a contribution please call our office,
(415) 497·2551.
Super Stars
Iris and Paul Brest
Gordon and Carol Finwall
!an and Olga Thomson
Stars
Nancy and Richard Alexander
Lloyd Banta
Robert Stebbins
Bill and Evelyn Gunning
Kay and Ed Kinney
Mr. and Mrs. E. Hugh Taylor
Jennifer Westerlind
Morley W. and
Camille L. Baker
Lisa Barrett
Barbara Behling
Richard and Joan Bialek
Mrs. P. Chamberlin
Mr. and Mrs. William R.
Cheney
Drs. Dorothy and Peter
Denning
Mr. and Mrs. Leslie E.
Dobbins
Dr. and Mrs. Ralph I.
Dorfman
Sarah ]. Elder
Robert and Sarah Freedman
L. and B. Friedlander
Edward Furukawa, M.D.
Carrie and Moses
Abramovitz
Harold C. Anderson, M.D.
Ray and Carol Sacchetti
Alan and Corinne Barkin
Barbara M. Baxter
Danielle Beaudry
Drs. John and Susan Bcletsis
Rhoda and Seymour Bergen
Joseph Berstein, M.D.
Mr. and Mrs. A. M. Bigliardi
Carlton and Ruth Bioletti
Arnold and Barbara Bloom
Daniel Bobrow and Toni
Wagner
David and Margot Botsford
Mr. and Mrs. Nathan
Brownstone
Mr. and Mrs. Angelo
Cappuccio
Malkah W. Carothers
Cathy Ching
Elizabeth and Bernard
Cohen
Don Cooper
M.S. Cooper
Mr. and Mrs. George E.
Crane
Mrs. Richard Crooks
Marlene Milly Deegan
Sidney Drell
John and Mary Felstiner
jack and Maxine Fink
S. and D. Finkelstein
Jane and Larry Fitzsimmons
Gladys R. Garabedian
Wesley and Diane Gardiner
john and Elizabeth Germer
Larry Goeltz
Barbara and Stanley Golden
Robert C. Gon1.ales
Marian Gould
Donors
Mary Heyward
Doug and Georgia Inglis
S. jacobson
Leo and Marlys Kcoshian
Dr. Joseph Ladou
Bonnie and Phil Lamb
Margaret C. Leary
Rhoda and Elliot Levinthal
Earle May
William and Cynthia
Merriell
Professor and Mrs. David
Nivison
J. O'Fiaherty
L. 0. and R. J. Pont
Mr. and Mrs. Burton Richter
Alice Ann and Frank
Roberts
Sustainers
Dr. Jean H. Green
Paul E. Greene
Dick and Sue Gunther
Wayne and Sandra Harvey
joan and Gary Heyman
Don Carlos Hines
Mr. and Mrs. Frederick
Hines
Steven !den
Marcella Jacobson
Phyllis Jairl and Dorothy
Atton
Elsie B. Jones
Dr. and Mrs. Henry jones
John Josse
Larry and Ann Keifler
Mr. and Mrs. Robert L.
Kissick
Drs. Joseph and Regina
Kriss
Stephen Langley
William Leben and Susan
Wolf
Gloria and Herbert
Leiderman
Doreen and David Leith
John Levy, Ph.D. and Heidi
B. Mason
Rosalee and Robert Long
Gertrude MacFarland
Lillian and William Madow
Myldred A. Mann
Dr. and Mrs. Robert Marcus
Ruth and Gerald Markoe
Drs. Jane and Michael
Marmor
Mr. and Mrs. E. Arthur
McClish. Jr.
John D. McLean
Molly Meschke
Edgar and Shirley Miller
Menko Rose
Ross Shachter/
Ruth Yamawaki
Lilian M. Scherp
James Sheats and
Esther Goldberg
Alan and Frieda Sherman
Dr. and Mrs. F. N. Silverman
Andrea and Lubert Stryer
Mr. and Mrs. William Thylor
Lucy Stuart Thmpkins, M.D.
Dr. and Mrs. John S. Wachtel
Jim and Mary Weersing
John L. Wells·
Edna White
Capt. and Mrs. Frederick
De B. Witzel
Dr. and Mrs. Roman J.
Oleynik
E. Trueman and C. R.
Perrault
Jeanne and Borden Polson
Fritz Bernhard
Morris and Thera
Rabinowitch
•Jane ]. Robinson
Kenneth and Gedalia Snow
Rowe
Marguerite Saegesser
Robert and Christine Scott
Professor and Mrs. Leo Ganz
Mr. and Mrs. R. W. Shomler
Michael and Marieann
Shovlin
Rob and Maureen Sladen
Mr. and Mrs. Curtis Smith
Susan Smith and Michael
Mauldin
Jim and Mary Smith
Chalmers and Carolyn Smith
john and Joellen W.
Smolowe
Esther D. Sobel
Anita and AI Spivack
Chauncey and Doris Starr
John and Diana Stephens
Dr. and Mrs. Tom Stevenson
Mrs. S. Price Thoits
Mr. and Mrs. Frederick T.
Van Urk
Phyllis Villec
Sandy and Linda Wagner
David and Kathleen
Weisenberg
Irv A. Weissman
Ronnie Welch
Irwin and Joan Wieder
Ellen and Phil Williams
Peter Windhorst
Scott and Kate Adams
Barbara Anne Ames
Keith and Tsing Bardin
Mr. and Mrs. Brian Beer
Rachel W. and Elton H. Bell
Ina Bendis and Matt Sheinin
Dr. and Mrs. Paul Berg
Lelda and Bernard Bergman
Mr. and Mrs. Francis G.
Beukers
Barbara Blatner-Fikes
Barbara Bolitho
John and Roberta Brash
Robert Brauns
J. Melissa Brown
John and Nancy Bruno
Lee C. Buck
Jeannette Bullis
Gary and Mari Campbell
Ned Chapin
Nick and Betsy Clinch
Gordon and Joan Cohen
Paul Colen
The Comrey/Westphal
Family
Michael W. Condie, M.D.
Dr. and Mrs. Robert W. P.
Cutler
Bill Davis
Dr. and Ms. John R. Davis,
DPA
John M. DeLong
Barbara Derbyshire
Don Drury
Editha Dunn
Betty H. Dutton
Derek Kidd and Nancy
Enzminger
David Erskine
Russ and Ruth Fischer
Lis! Fisher
Alexander L. Florence
Stephen and Lindy
Fortmann
David and Betsy Fryberger
Jennifer L. Gates
Michael and Susan Gaynon
Elaine Gleason
Dr. and Mrs. James 0.
Greenwell
Contributors
Peter and Ann Gregory Dr. and Mrs. J. C. Portnuff
Gabe and Edith Groner Frederica Postman
Mr. and Mrs. Floris Hartog Marlene H. Prendergast
Mr. and Mrs. R. E. Hay Carole Runyan Price
Sharmon J. Hilfinger Helen Quinn
April and Robert M. Hill Thomas and Joan Railton
Adelaid and Norbert Hofman Doris Richards
David and Jacky Hood Mr. and Mrs. John C.
Joseph R. Hopkins Richards
Dr. and Mrs. Alfred Hughes Jules Riskin, M.D.
Kathy Jarvis Blanche and Charles Rosen
Fred and Jean Kamphoefner Ruth and Richard
Dr. and Mrs. Samuel D. Rosenbaum·
Kaplan Joyce and Eddie Rosenstiel
Aurel Keck Jon C. Ross, M.D.
Thomas and Jean Kirsch Raymond and Pauline Saltel
Lothar Kleiner Adele and David Saxe
Barbara Banker Kline Dr. and Mrs. J. R. Scholtz
Nina and Norman Kulgein T. and E. Scitovsky
Bill Lannan Lynn and Elisabeth Seaman
Mr. and Mrs. Laurence Latta Dr. and Mrs. Arthur Selzer
Bernard D. Leitner Joe Sharp
Donald and Rachel Levy Roberta Sharpe
Ernest and DeVeda Littauer Judy and Lee Shulman
Rick Lloyd David Silverman and Susan
Hugo Loewi Berman
Professor and Mrs. Walter Drs. Alma and Lee
Lohnes Silverthorn
Dr. and Mrs. Milton Lozoff Gary and Eileen Skrabutenas
Richard and Charlene Mr. and Mrs. C. R. Sporck
Maltzman George and Alberta Stauss
Karl Marhenke Corena Stearns
Frank and MaryAnna Mrs. Ruth T. Storey
Matsumoto Carrie The!
Don and Audrey McDonald Frances Theiss
Miller/Scheier Associates Bill and Vonza Thompson
Mrs. Robert G. Murray William). Thbe
Vivian Nash Ronald D. Tomasello
Anastasia and Morris Donald and Vivien Thrrey
Neiburger B. and N. Thne
Mildred and Sydney Netreba Dr. T. M. Vandenheede
Joanne Nichols Charlene A. Vincent
Howard and Judith Ocken K. Christie Vogel
David and Diane Pace Susan Wexler
John Peirce Edward Wobber and Linda
Mr. and Mrs. Louis S. Demelis
Penfield Mr. and Mrs. E. Yoder
Nan Phinney Rodolphe M. Zehntner
Mr. and Mrs. Warren G.
Poole
LIVELY AIITS
COMMUNITY VOLUNTEERS
Become a Lively Arts volunteer and have the opportunity to meet
with our performers on an informal basis. Our volunteers help give
a special personal touch to our receptions, dinners, the transporting
and housing of our performers, and our season subscription and
fundraising campaigns. For more information, please call Sally
Mentzer, Community Outreach Director at (415) 497-2551.
Peter Andree
Sue Ash
Bonnie Ashley
Eleanor Bassler
Edward Bearsworth and
Aino Vieira-Da-Rosa
Donna Benton
Zelda Bergman
Linda Bernard
Richard and Laura
Bloomfield
Ruth Bloomfield
Edie Bridges
Eph and Sally Cannon
Ann Caplan
Renee Charney
Lori Appleby Cleland
Phyllis Cohen
Sandra Collier
Janet David
Margo Davis
Colleen Dillon
Pat Dunne
Nancy Ellis
Denise Ellsworth
Betty and Carl Estersohn
Leisa Fearing
Tom and Nancy Fiene
Jack and Maxine Fink
Gordon and Carol Finwall
Jeri Foley
)ana Forster
Phil Fouts
Bob and Sally Freelen
Elaine Gaertner
Nancy Gerst
Robin Gianattasio
Jean Gillett
Margie Glazer
Shirley Gohrmely
Barbara and Stanley Golden
David and Sandra Goodwin
Melanie Grondel
Diane Gross
Mete Gurr
Diana Harring
Debbie Hall
Audrey Avis Aasen-Hull
and James B. Hull
Peggy Harrison
Marge Hausmann
Ali Henley
Rose Hernandez
Mark Hess
Janice Himley
Rochelle Hirstio
Heather Holly
lnge Infante
Leslie ltano
Ruth Kadish
Marta Kempton
Nancy Kittle
Tom Knotts
Sydney Koenig
Curt Kolovson
Mika Koutsoyannis
Norissa Leger
Waltraud Lied!
Mary Jo Lindes
Jim and Mary Lorey
Jenny Magid
Sylvia Maggipinto
Tag and Joan Mansour
David and Carlotta Maurice
Kim Maxwell
Charles Miller
Elizabeth Miller
Kamilisha Mshuja
Nicola Nanevicz
Gaby Neely
Peter Neuhaus
Jack Newlin
Edward and Debra Olson
Amelia Palomera
Linda Peluso
Philomena Peral
Olivia Peterson
Ann Plutchok
Helene Poppelier
Sidney Price
Betty and Arno Raessler
Bobbie Redstrom
Lou Robinson
Pat Robinson
Marilyn Roseman
Anne Saldich
Muriel Sandy
Mr. and Mrs. Arthur
Schneiderman
Nora Schoenfeld
Tamima Schwartz
Rose Selby
Syril Shaffer
Georgia Sharp
Marsha Shinkman
Carol Sisk
Maureen Sladen
Rosalyn Soffer
Vivian Spears
David St. John
Andrea Stryer
Ruth Thnner
Katherine Thbin
Fred and Marion Van Urk
Phyllis Villec
Mary Ellen Vondran
Anne Waltuch
Thelma Watkins
Josie Weiss
Ludmilla Weissbart
Kathy and Joe Wharton
Leonore Wolgelenter
Marilyn and Boris Wolper
Carol Wright
Lillian Zabohon
Sheila Zelinger
LIVELY ARTS
STUDENT COMMITTEE
The Lively Arts Student Committee provides volunteer support
by promoting Lively Arts events among students on and off
campus, hosting· visiting artists and helping with the Community
Outreach Program.
Thm Belin
Karin Fahlman
Bert Garcia
Elizabeth Gardner
Richard Goldstein
Debbie Gravitz
Paul Hagen
Bill Handley
Jocelyn Hollander
Richard Hoskins
Michael House
Elizabeth Keicher
Judith Koong
Diana Loo
Chantal Matkin
Mathew Nosanchuk
Maki Okamura
Jocelyn Reisman
ShaXin Wei
Debbie Somberg
Isaac Tabor
Beth Villa-Lovoz
April Vogel
Clara Wu
BUSINESS AND
CORPORATE PATRONS
Hewlett-Packard, Hofbrau Catering, and Northland Investment Company
OTHER GIVING
Matching Gifts to the Arts. A number of businesses match their
employees' cultural gift contributions. We have available in our
office a list of businesses who participate in a matching gift
program. For more information call Lois Wagner in the Lively Arts
office, (415) 497-2551.
UNIVERSITY EVENTS
AND SERVICES STAFF
Lois Wagner
Larry Davidson
Sally Mentzer
Joan Meister
Claire Keirn
Bill Cleveland
Alicia Kamian
Margarita Ibarra
Jan Skrove
Julie Wahlgren
Nancy Thomas
Rosemary Tanner
Mary Clare Foecke
John McGrory
Lisa Oakley
Bruce Krempetz
Mark Dalrymple
Guy Bailey
Ray McKee
William (B. J.) Overbaugh
John J. Castonia
Director
Associate Director
Community Outreach Director
Marketing Director
Marketing Assistant
Thchnical Services Supervisor
Guide and Visitors Program Director/House Manager
Administrative Assistant
Secretary
Scheduling Assistant
Office Assistant
Office Assistant
Student Assistant
Student Assistant
Student Assistant
Stage Manager, Memorial Auditorium
Stage Manager, Dinkelspiel Auditorium
Thchnician
Thchnician
Senior Technician
Manager, Tresidder Ticket Office
(41 5) 497-4317
University Events and Services
Press Courtyard, Stanford, CA 94305 (415) 497-2551
We welcome your comments and suggestions about our program.
The Lively Arts at Stanford is created and produced by University Events
and Services, a division of Public Affairs, Robert E. Freelen, Vice President
PROGRAM CHANGE
Schumann's Trio No. 3 in G minor
has been replaced by his
Trio No. l in D minor, Op. 63
Mit Energie
Scherzo
Langsam, mit inniger Enfindung
Finale: Mit Feuer
