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12th Osaka International Festival : The Beaux Arts Trio of New York [program]

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12th Osaka International Festival : The Beaux Arts Trio of New York [program]

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              12th OSAKA INTERNATIONAL FESTIVAL 1969
AJPR.- TI.49 TI.5 & TI.6 THE TORONTO §YMJPHONY
AJPR.- TI.79 TI.9 & 26 ALEX][§ WE][§§ENBERG
AJPR.- TI.8 & 22 THE BEAUX ART§ TR][O OF NEW YORK
AJPR.- 20
AJPR.- 25
AJPR.- 29
MAY- ]_ & 2
UNDER 'l'HE PA'J'RONAGE OF
FE§T][V AL NOH
CONCERTO EVEN][NG
YO§JHI][O UNNO (V][OL][N)
T§UYO§JHI][ T§UT§UM][ (CELLO)
TRAD][T][O AL JAJP NE§E MU§][C
DER MUNCHNER B CH CHOR
UN]) ORCJHE§TER
TJHllE AGJENCY lFOR CULTURAL AlFlFAliR§
TJHIJE .MUNI§TRY OlF lFORJEliGN AlFJFAJIR§
TJHllE O§AKA PRlElFJECTlURAL GOVJERNMJENT
TJHllE O§AKA MlUNliCJIP AL GOVJERNMJENT
TJHllE O§AlKA CJHIAMBJER OlF COMMIJERCJE ANJD liNJDlU§TRY
..
.J2th
OSAKA
INTERNATIONAL
FESTIVAL
1969
APR. 18 • 22
7:00
FESTIVAL HALL
MESSAGE
I am indeed grateful to the Osaka International Festival Society for having
invited the Beaux Arts Trio of New York to r epr esen t the United States at
this year's twelfth annual Osaka Internat ional F es ti val. The Beaux A rts Trio
has es tabli sh ed for itself a di s ting uished rep utation as one of the world 's for emost
chamber en sembles and will, I am s ure, live up to the highest expec tations of
the musically so phis ticated and discriminating Japanese publi c. It is therefore
a great privilege for me to welcome the Beaux Arts Trio to Japan and to extend
to these outstanding artists my warmest bes t wishes for a most successful and
rewarding fir s t concert tour in this country.
David L. Osborn
Charge d 'Affaires ad interim of the United States of America
4
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• THE BEAUX ARTS TRIO OF NEW YORK
THE BEAUX ARTS TRIO OF NEW YORK was
first formed in 1955 by pianist Menahem
Pressler, vio linist Daniel Guilet, and cellist
Bernard Greenhouse. Since then, they have
played close to 2,000 engagements in North
America, Europe, Israel, Afr ica, and the
Near and Middle East.
Sin::e their tour of Europe in 1959, they
have visited Europe every season, performin.
s in Berlin, Pa r is, Lisbon, and many other
major cities.
In 1963, in Washington, they gave the
world pre mie re of the Ingo lf Dahl Triple
Concerto, and in 1967 gave the first per·
formance of John Lessard's Trio.
In 1964, they won the Grand Prix du
Disq ue for their performances of trios by
Mendelssohn and Dvorak.
In 1965, they recorded the complete Beetho·
ven piano trios in L0r.d~"• and the records
we:~ issu :: J by Ph"lips in Europe and
Mercury in America. They are fol lowing
this set with records of Mozart, Schubert,
Brahms, and Ravel.
Also in 1965, th ·~y visited Israel, Turkey,
and Iran under the auspices of the State
Department's cultural program . Appearances
follow ed in Paris, London, Salzburg, Hamburg,
West Berlin, and elsewhere.
They have a lso appeared at numerous
music festivals: at the Berkshire, Edinburgh,
Lisbon, and Holland festivals in
1964, and the DoSrovnik, and Israel, festiva
ls in 1966.
They are unusual among chamber ensembles
in that they a re invariably asked back
to places where they have once performed.
They visit many different places in the
cou rse of the year, but special mention
shou ld be made of their concerts in the
Library of Congress in Washington, D.C.
and the Hunter College in New York, where
they have already been appearing for five
consecutive years.
A few of the comments made by celebrated
musicians on hearing the Beaux Arts Trio
perform are appended below :
"An inspiring experience .. . Fine chamber
music with impeccable taste and musicianship."
(Arturo Toscanini)
"The marvelous musicality of these three
artists has been unknown in trio playing
for many years. They are worthy successors
of the last great trio- Thibaud, Casals,
and Cortot." (Charles Munch)
"The finest trio I have heard in America."
( Robert Casadesus)
"I enjoyed immensely the perfection and
artistry of this adm irab le ensemble .... a
great ensemble with great artists." (Gino
Francescati)
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-MENAHEM PRESSLER
11
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Born in Magdeburg, Pressler moved to Israel with his family
following Hitler's advent to power. At the age of seventeen he
was awarded the Debussy prize. Following this, he appeared
five times as soloist with the Philadelphia Orchestra under
Ormandy, and also played with the New York Philharmonic, the
Cleveland, Orchestra and other orchestras. He has played under
such celebrated conductors as Mitropoulos, Szell, Ormandy,
Stokowski, Enesco and Dorati.
His records include Chopin's Second Piano Concerto and Mendelssohn's
First Piano Concerto, recorded in Vienna. At present he
is a professor at the University of Indiana. Steinway Artist.
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Born in France, Guilet s tudi ed with Jacques Thibaud and Georges
E nesco at the Paris Conservatoire. In 1941, he went to America.
Hitherto, he ha d been active as soloist with orch estras or as a
member of chamber ensembles, but now he organized the Guilet
String Qua rt et.
In 1944, h e joined the NBC Symphony Orch est ra, newly
organized by Toscanini. In 1951, he was appointed concer tmas ter
of the same orch es tra, and rema ined in the post until Toscanini's
death.
He has a lso appeared as soloist under Toscanini, Klemperer,
Sol ti, and other well known conduc tors. His violin is the beaut iful
"Hrima ly" Stradivarius dated 1712.
DANIEL GUlLET
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·BERNARD GREENHOUSE
13
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Studied first at the Juilliard School of Music, then went to Europe
for an audition with Casals, as a result of which he studied with
him for two years. He was praised by the master himself as
"not only a remarkable cellist but, what I esteem more, a dignified
artist." Since then he has given recita ls and appeared with chamber
ensembles and orchestras a ll over Europe and America. At
present, he is on the faculties of the Manhattan School of Music
and the University of Hartford. His cello is the famous "Paganini"
Stradivarius dated 1707.
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THE BEAUX ARTS TRO
1. at the airport 2. with P. Casals 3. with I. Stravinsky 4.
3'!~tct -JJ..Y;v;<.c ;<.t-71::":--;<.4--c
14
l OF NEW YORK
4. Bernard Greenhouse visit Maestro
Casals in Puerto Rico
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15
5. Daniel Guilet with A. Toscanini at
Carnegie Hall, 1954
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I •
6. With Maestro Toscanini
~ A;h ~- ~~!lllA.-e ...
Pianist : M ENAHEM PRESSLER
Violinist : DANIEL GUlLET
Cellist : BERNARD GREENHAUS
Beethoven
Piano trio No. 3 in c minor, op. 1-3
Allegro con brio
Andante cantabile con variazionie
Menuetto ' Quasi allegro
Finale : Pre stissimo
Ravel
Piano trio in a minor
Moderato
Panteum : Assai vivace
Pa ssc:cagl ia , Molto largo
Finale , Animate
*
Schubert
Piano trio No. 3 in B- flat major, op. 99
Allegro moderato
Andante un poco mosso
Scherzo ' Allegro
Rondo , Allegro vivace
Temperamentally, the three compositions on the program this evening are very different. Beethoven's c minor Trio, typical of the composer's
early period, has a characteristically youthful elan. The Ravel, conceived amidst the tense atmosphere immediately preceding the Great
War, demonstrates the nostalgic grasping after things human that is characteristic of such a time. The Schubert, on the other hand, admirably
ill ustrates the composer's plebeian, unaffec ted, amiable aspects. All three works are alike in their stress on the importance of the human
element, even though this element is presented in various different guises, lyrical or passionate, defiant or sympathetic.
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Pianist : MENAHEM PRESSLER
Violinist : DANIEL GUlLET
Cellist BERNARD GREENHOUSE
Mozart
Piano trio No. 6 in C major, K. 548
Allegro
Andante ca ntabile
Allegro
Beethoven
Piano trio No. 5 in D major, op. 70-1 "Geister"
Allegro vivace e con br io
Largo a ssai ed es pressivo
Presto
*
Mendelssohn
Piano trio No. 1 in d minor, op. 49
Molto all egro ed agitate
Andante con moto t ranquillo
Sch orzo : Leggier o e vivace
Allegro a ssa i appassiona to
A work in Mozart's most genial concertan te style; the "Geister" Trio, product of Beethoven's midd le per iod; and Mende lssohn's d mmor
Trio, a cheerfu l, expansive piece-at first g lance, the program may seem almost too varied. Yet its whole point l ies in the clear picture it
gives of the path trodden by music from the latter half of the eighteenth century through the first half of the nineteenth centu ry. In a ll
three works presented, moreover, the composer's personality speaks to the listener directly and in timately, without any intervening barrier.
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1000 1900
J. S. BACH (1685 1750) !
MOZART (1756- 1791) - BEETHOVEN (1770- 1827)
SCHUBERT (1791-1828) I - BERLIOZ (1803- 1869)
MENDELSSOHN (1809- 1847) - CHOPIN (1 810- 1849) - SCHUMANN (1 810- 1856)
WAGNER (1813- H83) = BRAHMS (1833- 1897)
TCHAIKOVSKY (1 840- 1893)
~ DVORAK (1 841 - 1904)
DEBUSSY (1862- 1918)
R. STRAUSS (1 864- 1949(
I
RACHMAN:NOFF (1 873- 1943)
RAVEL (18 75- 1937)
STRAVINSKY (1882- ) Ill
PROKOFIEFF (189 1- 1953)
FREEDMAN (1922- ) -IIIII
TAKEMITSU (1930- ) -IIIII I
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MOZART
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12th OSAKA INTERNATIONAL FESTIVAL 1969 SOUVENIR PROGRAM No. 3
Apr. 14 1969
PUBLISHED BY THE OSAKA INTERNATIONAL FESTIVAL SOCIETY
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Title	12th Osaka International Festival : The Beaux Arts Trio of New York [program]
Date	1969-04-18;1969-04-18
Subject headings	Concert programs--Japan Greenhouse, Bernard, 1916-2011
Place	Osaka (Japan)
Type	Text
Original format	programs
Original publisher/note	[Place of publication not identified] : [publisher not identified]
Language	en;ja
Contributing institution	Martha Blakeney Hodges Special Collections and University Archives, UNCG University Libraries
Source collection	SC007.2 Bernard Greenhouse Personal Papers, 1916-2011
Box	2
Folder	16: Concert Programs, 1969
Finding aid link	http://libapps.uncg.edu/archon/index.php?p=collections/controlcard&id=568
Rights statement	http://rightsstatements.org/vocab/CNE/1.0/
Copyright and usage	COPYRIGHT NOT EVALUATED. The copyright status of this item has not been fully evaluated and may vary for different parts of the item. The user is responsible for determining actual copyright status for any reuse of the material.
Object ID	SC007.2.002.016.001
Digital publisher	The University of North Carolina at Greensboro, University Libraries, PO Box 26170, Greensboro NC 27402-6170, 336.334.5304
Full Text	12th OSAKA INTERNATIONAL FESTIVAL 1969 AJPR.- TI.49 TI.5 & TI.6 THE TORONTO §YMJPHONY AJPR.- TI.79 TI.9 & 26 ALEX][§ WE][§§ENBERG AJPR.- TI.8 & 22 THE BEAUX ART§ TR][O OF NEW YORK AJPR.- 20 AJPR.- 25 AJPR.- 29 MAY- ]_ & 2 UNDER 'l'HE PA'J'RONAGE OF FE§T][V AL NOH CONCERTO EVEN][NG YO§JHI][O UNNO (V][OL][N) T§UYO§JHI][ T§UT§UM][ (CELLO) TRAD][T][O AL JAJP NE§E MU§][C DER MUNCHNER B CH CHOR UN]) ORCJHE§TER TJHllE AGJENCY lFOR CULTURAL AlFlFAliR§ TJHIJE .MUNI§TRY OlF lFORJEliGN AlFJFAJIR§ TJHllE O§AKA PRlElFJECTlURAL GOVJERNMJENT TJHllE O§AKA MlUNliCJIP AL GOVJERNMJENT TJHllE O§AlKA CJHIAMBJER OlF COMMIJERCJE ANJD liNJDlU§TRY .. .J2th OSAKA INTERNATIONAL FESTIVAL 1969 APR. 18 • 22 7:00 FESTIVAL HALL MESSAGE I am indeed grateful to the Osaka International Festival Society for having invited the Beaux Arts Trio of New York to r epr esen t the United States at this year's twelfth annual Osaka Internat ional F es ti val. The Beaux A rts Trio has es tabli sh ed for itself a di s ting uished rep utation as one of the world 's for emost chamber en sembles and will, I am s ure, live up to the highest expec tations of the musically so phis ticated and discriminating Japanese publi c. It is therefore a great privilege for me to welcome the Beaux Arts Trio to Japan and to extend to these outstanding artists my warmest bes t wishes for a most successful and rewarding fir s t concert tour in this country. David L. Osborn Charge d 'Affaires ad interim of the United States of America 4 :;/( [~~~7 :L 7-.7" 1 ,,·Jv!hh@;iJ~ . ;: c L0ml2ill]:;k[~~~7 :L 7-.7" 1 r i;vfr. T ;I~ jJ 01~~c L"L. .::. ,. -3- ;~ • ;t;' --if-;v • r ~ ~ t.'ri1~T~V>i Ltc:c. c ~ . 'L'il' G .:b-1, ~ vi.>~7ff~1.it~ ~ 0 c ~ ~ J:? 'L'iJ' GlliJi .., ~.:b- ~ i 'To -r·- t:' ·:; F L. ;t :;(' ,-g·- ~ ~Hl7 ~ IJ ;l){l-Jit!E~II.Jf~J'I!I!!! MESSAGE ~L.tc.. ~ ~. 01. 1"~illW'?fi:ii'.iU:#~t>1f.(£<:· ;t;;.,, * 19jffilf~ 7 :r. :A 7 -t r{ ;t.-tlh~:ft:* l?t t ta. c a:-M;n:::i;:ttft: }~ -:> '"Li>' ~ 1. -t-0 ~.L.t=.~~. mJH<.J~JJka:- c H'f=.);:l~llil~~ 7 :r. :A 7 -t _,,· ;v MW~~~KmD-a:-~«J.>cctK. ~-co~~~~~~~~t>t'-.Lii'" o • THE BEAUX ARTS TRIO OF NEW YORK THE BEAUX ARTS TRIO OF NEW YORK was first formed in 1955 by pianist Menahem Pressler, vio linist Daniel Guilet, and cellist Bernard Greenhouse. Since then, they have played close to 2,000 engagements in North America, Europe, Israel, Afr ica, and the Near and Middle East. Sin::e their tour of Europe in 1959, they have visited Europe every season, performin. s in Berlin, Pa r is, Lisbon, and many other major cities. In 1963, in Washington, they gave the world pre mie re of the Ingo lf Dahl Triple Concerto, and in 1967 gave the first per· formance of John Lessard's Trio. In 1964, they won the Grand Prix du Disq ue for their performances of trios by Mendelssohn and Dvorak. In 1965, they recorded the complete Beetho· ven piano trios in L0r.d~"• and the records we:~ issu :: J by Ph"lips in Europe and Mercury in America. They are fol lowing this set with records of Mozart, Schubert, Brahms, and Ravel. Also in 1965, th ·~y visited Israel, Turkey, and Iran under the auspices of the State Department's cultural program . Appearances follow ed in Paris, London, Salzburg, Hamburg, West Berlin, and elsewhere. They have a lso appeared at numerous music festivals: at the Berkshire, Edinburgh, Lisbon, and Holland festivals in 1964, and the DoSrovnik, and Israel, festiva ls in 1966. They are unusual among chamber ensembles in that they a re invariably asked back to places where they have once performed. They visit many different places in the cou rse of the year, but special mention shou ld be made of their concerts in the Library of Congress in Washington, D.C. and the Hunter College in New York, where they have already been appearing for five consecutive years. A few of the comments made by celebrated musicians on hearing the Beaux Arts Trio perform are appended below : "An inspiring experience .. . Fine chamber music with impeccable taste and musicianship." (Arturo Toscanini) "The marvelous musicality of these three artists has been unknown in trio playing for many years. They are worthy successors of the last great trio- Thibaud, Casals, and Cortot." (Charles Munch) "The finest trio I have heard in America." ( Robert Casadesus) "I enjoyed immensely the perfection and artistry of this adm irab le ensemble .... a great ensemble with great artists." (Gino Francescati) • =-.:L-3---;7 • ;f{--tf'-Jv • r IJ :t 19~51f:, t:' 7.::. A I· (J) } T'"'],. • 7' v A :7 -, >''1 ;;d- 1) .::. A J- (J) !;".::.X Jv • 'f''- v, 'f "' ~ A I· (J)r{ - j- - F • ;;· ~ - ~''?A~~ .J: b-,!iJ~~:/1- r;tfrf!J~JUL ~t.>!JJ r-fMiL:/1-.YJ. 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AT 1 ;';t--1~ , i 1c, 19661f'RI~ti l-''7'o 7".::.·:; 9 , 1 A :7 x ;t.- (J)1S-"'{'f~ 7"' A-T 1 ;'J"' ~~ i :±1~ L "( \r> 7.lo 0~~~~~~t::.:~~~~ti, ~~~fN ~ (J) I p L .16);.:/J{ ~ 7.> c \r> t.> :/1-7.> 1$ ~ L \r> ;;";t.- - 7' ~, 'a}1[o;j}j:(LZ, c ~ ~ i §'; < ' c < ~~ r; ~~ I· ~ D. C. (J) l'ill.lz: lgj;'Jf!il f~ b·l't Z,:::! ~ ~ -l-c5~MLK -?--?~r> -c~r>7.>.::. -"- - 3 - 9 (J) ,, ~ !l-- t1 v ·:; ~(J) iK~H~I'i 4<\"l!~ :11- 7.> o .::. ;L -3-9 · ~ - -lf-~ · ~-~;t(J)~ -~ ~lr>kQ~k~i'J:~(J).J:~Kft~"(lr>7.J o r~-(J)~~ %~~~(J)fi•tt~~'?T~ ~~~~J )'~~-~-~ - 1- A~.::. -.::. r 0. L < ~ 11 ~ :iJ,~ k t:' 7/ -= ~~ (J) lt\NJI J!;f< 0 ~ :/1- ~ {- tJ -if Jv A, :::1 Jv r -, T 1 ;j;· ( J) ::~· - 1t-- -r· ~ · 1- ~ * (J) :f&m11Hc J r7;. IJ tJ~~~r>k:Ju( l;':i(J) I· ~ ;;d"J o«-;t.- • tJ-l)-l···~-"r ~<~7.>~c~~ ~~~tl ~~7--r 1 A l·k~(J)f!r.k~7~~~7·1v J ~/ . 7:7~"}-c. ·:~ ,;.,- -1'.i:~JJH~,\, -t- '0~. :4'- ~ ;..- 7 ' -1 tfrl'fl 7-1'7~7-17 · :4'-~~~,G9~g~~~L~5~W~Lk~ 1;>, =- .:>. - 3- ~ • 7 -1 Jv"- -t: =- -, ~ g -7·' ;..- F • :4'- ~ ~ I· 7~ ~1M\i:iiiL, ~ l·o7· -o ~ , -tJv, :4'-~;..-7'-1, ~1-='7~4'-, x:j-.~::1, F77 -1~f.C7)t~-cw,r;iL~ V>.O 1/:J-FV;I:, '/..f-;/"'C:/3J{;/Q)l:. 7Jtbh~ Illl~~ 2'1Jl:~;l;..-7' ;v~ ~-;..-Q)~7JlM\.IllJWl'lll=~UaL~V>.O :Wtf, 1 ;..-7'-1 77~~~ ~!11;..-?x1 • 7-7-1'~1· l . Born in France, Guilet s tudi ed with Jacques Thibaud and Georges E nesco at the Paris Conservatoire. In 1941, he went to America. Hitherto, he ha d been active as soloist with orch estras or as a member of chamber ensembles, but now he organized the Guilet String Qua rt et. In 1944, h e joined the NBC Symphony Orch est ra, newly organized by Toscanini. In 1951, he was appointed concer tmas ter of the same orch es tra, and rema ined in the post until Toscanini's death. He has a lso appeared as soloist under Toscanini, Klemperer, Sol ti, and other well known conduc tors. His violin is the beaut iful "Hrima ly" Stradivarius dated 1712. DANIEL GUlLET ?f=.:r:.J(... -¥'- v 7 7 ;/ ;t.. Q)~~ :/'L j{~~~ ~~ ""t' V'-1'·;; 'J • "T-1rJ<' - cV' 3 JvV' _,_ . :r.;t.;t..::J~:(frfi~ 194HF!J.It;Jt i" tt i ·er.:t ;t- ;,- ;t.. I· 7 Q) ·; 1J ;t.. I·, :3IJJ ~(J1J ;/ /<' cL~~- Q)~¥-v~• ~ m•rn~M• 1944~, J-;t..:h=- - =-:b~ NB C:X~~rnff.li. c lf.]II~HC:.AEII , 1 951~1f.J Sl Q) :::1 ;/ -1t - 1- --? ;t.. !J - ~: Jli.t ff L ~, 1- ;t.. :h =- - =- Q) fil!Yi!- i -r· t Q) 1:E ~1Ji); 6/:>J., 1- ;t.. :h =- - =-, 'J v ;/~ 7-, V 3 JvT -1 ~Q)i;ti'ffi(Q) i c ~: '/ ~ ?.]· c L~ibhiiil , ~ -lt1 !J;~o-iiill~m:l'ak o J".f ;t ~ ;/fi 7 ~ """? ~ jf;1712~~;t.. 1· 7 'f'r~ ~ '7 ;t.. 12 ·BERNARD GREENHOUSE 13 /~-7-~. ? · •)-/1\?A. Studied first at the Juilliard School of Music, then went to Europe for an audition with Casals, as a result of which he studied with him for two years. He was praised by the master himself as "not only a remarkable cellist but, what I esteem more, a dignified artist." Since then he has given recita ls and appeared with chamber ensembles and orchestras a ll over Europe and America. At present, he is on the faculties of the Manhattan School of Music and the University of Hartford. His cello is the famous "Paganini" Stradivarius dated 1707. ~~97 -~ fi-~K~U . ~~-~~~W~-: Irif';v.?-~;t-7''1 :/3 ;/Kr1.7- L~. 21fra9r.ili$ r•K &~kf ~ 9"~~~~~~~~~<. ~-~~k~~-~~ ~J ~~hf~"~ftD~W~. •~9~1~~. ~~-. m•M ~0i5lli{jl :U!tE, 7; IJ h~-< ;/>'·:; !J ;/fi. lll'G~, J'- I· 7 >t - F;k~-c·~;jf ~~-:>~\f:l-0 f ~ o V;I: r r'. -"'Jr... r 1:::"7 .1 =-~~at m 311 ~r:l~~ fF~ 99 '{- I· - '{ ;.-- e:J fJJJVl z fl:-t 7.> ''mtJ~e:J =iJ !#J~I ;/J{, n '4:, e:J G L 1t> ~tJ. 1t> z J;.-itft.i'i, )(i~Jtiitr:W: e:J ~it!~ e:J ? 1> f;::ff_ 1ft. 1;:: 7 '{ ;ve:J fl'r\'1, Vi, :t e:J ll~iJUI f;::_$, ~ ~? L 1t> Alill A9'i 'i e:l-"e:l ~!ll~t>f;!Ui'\'Z!i£<; t ~-it 7.> o :t L -r, :/"'"- '{ Jv I· e:J f.(f:.i31;(19'i ~ c b e:J 'i 1t> A 'i "?-, c ~ -.:::.A.:::.:f,l1'iiJ{ G, ~t>iJ>f;:: 'irA 00Je:Jk~t>-it"?~zLJ;.tJ;.t•t~-1t-7.>'ie:Jz'4:,-,k~o,7A~~7.>offMtM~ &t t t~& AOO.ffle:J·~~~"i:cKVi~l.> o Pianist : MENAHEM PRESSLER Violinist : DANIEL GUlLET Cellist BERNARD GREENHOUSE Mozart Piano trio No. 6 in C major, K. 548 Allegro Andante ca ntabile Allegro Beethoven Piano trio No. 5 in D major, op. 70-1 "Geister" Allegro vivace e con br io Largo a ssai ed es pressivo Presto * Mendelssohn Piano trio No. 1 in d minor, op. 49 Molto all egro ed agitate Andante con moto t ranquillo Sch orzo : Leggier o e vivace Allegro a ssa i appassiona to A work in Mozart's most genial concertan te style; the "Geister" Trio, product of Beethoven's midd le per iod; and Mende lssohn's d mmor Trio, a cheerfu l, expansive piece-at first g lance, the program may seem almost too varied. Yet its whole point l ies in the clear picture it gives of the path trodden by music from the latter half of the eighteenth century through the first half of the nineteenth centu ry. In a ll three works presented, moreover, the composer's personality speaks to the listener directly and in timately, without any intervening barrier. ~7 / : ;t. -}-A.. .b. · '1' (..; ;z. 7- 1~-(;;fi)/ : $t=.IJ[., . .:::F'-1..; 7-:r. 0 : 1'\--j-- ~ · ?• IJ -';./1\r:;J;z_ -E-·;;7,~,-r 1:::'7 / = m~B:tl m 6 :m= "~ID~il K. 548 7v :VP 7:,/ (;[:,/"j- :fJ;/~-t::·v 7v ~lP "'- r-"' / ~ 7/ .=.m~!IB m 5 :m= =~ID~il f'F~ 7o (]) 1 ~ ~~ J 7'v :J" p t::' >'~-1- .:r. ::r. ::r;/ 7" ~;t ' N~ 7 'l ~1 ::r.~ ::r.~~v~-~ ~ v~ I· * .~ /r ,~,-7-. '/- / 1:::'7 / = m~B:tl m 1 :m= =~ID~il fF ~ 49 ~N~ 7vVP ::r.~ 79~-~ 7:,/Y;/T ::1:,/ ~~ ~';/91NP ~?"Jv'/ ;t : V';/ 9.:r.-P I. \:::'><'-'f .:r. 7 v 9" o 7 ·:~ ~ 1 7 >"'~ ~ 3 -J-- I· ~--:; 7 Jv I· '0 < "?0V>t t thh ~(J(]IJ:.@ ~ '0;1; 1.>fJ',f.',~~li t i -:> -c, "'(-I·-"'(;,/ 'I·IJOJ '0Jili.iili~~~ 1.> rl\!ll~i J '0 .::. ill~JIJ I , -l" L 'L, < -:> !c.< '0i'J:V>::ki? iJ, <"! ~ ~-t ;t :,/ -T';v ~ ·!"- :,/ '0 .::. :l& r~.::. .W: ~ tll!. - JH c i b il{ tJ: 1t> J:. ? f~ .lJ. X.. tJ: il{ I?, 181l!J2.~4"il' I? 1911!~ lltr~~ iJ>I1 -c '0 fE\!~'0 W.lJ. '0 ;t; c ~. li -:> ~ b c ? "?Lit L -c < :/1- 1.> 7' P 9" ' .L. -c ;t; 1.> o U ' ~, -t- t. -eli. t. '0 3 A'0fiQI1'H{-t- :/1-{' :/1- t il'v~fl.tc. 1:> f~fiiJil' ~ ~ L 0/:fb iJ>I1 -c < :/1- 1.> o [jiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii• 1000 1900 J. S. BACH (1685 1750) ! MOZART (1756- 1791) - BEETHOVEN (1770- 1827) SCHUBERT (1791-1828) I - BERLIOZ (1803- 1869) MENDELSSOHN (1809- 1847) - CHOPIN (1 810- 1849) - SCHUMANN (1 810- 1856) WAGNER (1813- H83) = BRAHMS (1833- 1897) TCHAIKOVSKY (1 840- 1893) ~ DVORAK (1 841 - 1904) DEBUSSY (1862- 1918) R. STRAUSS (1 864- 1949( I RACHMAN:NOFF (1 873- 1943) RAVEL (18 75- 1937) STRAVINSKY (1882- ) Ill PROKOFIEFF (189 1- 1953) FREEDMAN (1922- ) -IIIII TAKEMITSU (1930- ) -IIIII I 1700 1800 1900 "li412@J:k 11ii il'!l\\l7 ~ 7. 7" ~ ,<,v~ M j!!~tt.tt. ;;, tF~o:J f'Filli~o:J~ ~l'li :C MOZART t::7; .=.m~!lll~ 6 'IIi " ~~ K. 548 ~-·;; 7 '" r 1756-1791 ~ - '/ 7 Jv I· r.J:, 1781:$, 25.-J-"17) t ~ , -1)- Jv '/ 7" ~~ll)A~-tll)RL~~~~G. ~i~ae ~~ -., ~ ~1 -~K-~ttfii:.tt"t:r. -o k . mall)BgKu~~~~~-t~~. ~~r.t ~ ~ fi. 'tliA.:b> th~~&r.t~L~~ftll)t-c.~. ~mt:r.~• ~bb~~L~ .•• ll)i:.tKi~~~t:r.o~ ~Lr.t~fim•ll)~~~. ~~~-'l 7 ~~ ll)~M~G-:JH"t:r.~b~~t;r.~ -., ft . -t.-L~-t.- 17) ft "MJ , ~ - '/ 7 Jv ~ r.J: ~ -o ~ J: ( ~ 1 - ~ V~ ~~. ~~LkW •• tL~~~~k~~~( !Itt t;r. -., tc. ll) j"[_-/J{, Jl'!ft~r.ti t-c. , ,~,d~--/J{ -: L. fi' IHI ~- '"/ 7 '"I· ll):(jiJf'FjJr.J:, {-ll)* ii-!M~ Il)~~ll)~K;h -o ~ i . 1 -ti-t~ - L~ ¥! L ~~ -., tell) -c·;h -o tc. . ;: 17)~- '"/ 7 ;v ~ ll)IIH~. t::7; t ~ -3 •r.:H; Lt:~K~-~~ . ~Gt:r.•m~~-~ki ll)t L~ . f" ;r. ;n <"o ( ''- 7" ~ ::J- F) ll)J'!I .!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!~'! 20 _ ,;iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiill ~W~??~ ~ k . ~-'l 7 N~~~ ~ - ~ K l$ ~ k r.. ~ ~~ r.t, 1::.0 7 ; r.t il> ~ ~ "Mf :& L -c ~ -c, ?illl'i, 1::.0 7 :..A I· C. L -cr.t~l'f~ L~i't!IiiJ ~-H~~ -n. ~0k~0~~c~~~·~ - ~)~m~-c. ~~~k-c~ - MC.Lkb~ ft~. -n~r.t~7~~~~ft~~-~~~~ \?iJ>:;tJ~-c. fllir&;0~UL~0?"b~~i. c r_ iJ>-tJ- o ~f~J~IH::~i ~C. Lk~IID3n.~ i ~ -c~ ·tc ~11#0:ilr-"J~05t!b'Y~~. ~l'i~ G L ~~11 0ttM~b~r..~ft0~~~ . ~\~~l'i~~ A~? ~ r..~~i?~7~~~~~~r..C.K~ ~ -c, il>~ ~ l'i~·il>~, \ ?~~1io/:l~ ~ ~ ~~L. ~~~~~~~~~4ftL-r~k0~ ~~ . " ~ ~ - ~ 11;\'t\::0 ~- ·;; 7 ;vI· r.t, IJ?i.fA'~~~Jt:~ U: 1::.07; V-!llli . litl~ 2 rl!i c., ~ ~ }j;£il9~~ rm3n.~i?~7; .:::.m:•JllJ c1::.07; c./,·1 ;t ~ ~c.~ ~ oK~~i0 ) ~6~~~L-c~~ . 21 6).;lx~ ~-~:I'L~/' -~itf.~ K. 548r.t, 1788~7 PJ K~•Lki0~. ••~~~m0~~~. m \ '" '@ ~f'F-.S~ ~ ~4-lt"C~1.:: [.. ~ 0 F.JT)tg ~ ~ ~ . o/:J·I;Jcfll'i(}R, ~-·;; y ;vl·04f4fL~ I§' ~t:l:r.t, J,;!fr'~~~ ~-0~~r..uc. c. i~~. r.. 0~K\?~~ft~L~~ikGL-c~~ . ~ M¥li~ m1 ~~. l!lt~~~llfk? fftM19~ m 2 ~~ gt;R:-c-. o :::1 :::1 m10~~~ ~~~ m 3 ~ BEETHOVEN t:7/.=.m~ llllm311t " ~WI! fF~l(J)3 ---<: -!-----<:/ 1770-1827 11':1, 3~0~7; -=. :m:•JllJ·c~~k. 1795~ ~~0C.~KW-~:I'Lki0ft~. ~~-~~ ?~-ctu:v~f'l: ,lj',~:i! ~ 1i~ c.~? r.. c.r.t . ~:I'L ft~0mmc.mAc.ftec.~~~•m•~~0 ~ v~ il' ~ -c ~ 1.:: r.. c. -c- i ~ ~ L. 1 k 9 ~ \ c. iW·ll~~~-0h(ikr.t~~0&M)~ ~~-c\:I'Lkr..C.~i~L-c~~b~~~~ ? . ~~~G~ ~ -~K~-c3~, ~~K~7 .::.A~C.L-cr.ttu:M0R§~~r;-c~k~-~ -~~~. ~MC.L-r~t•Lr.tt~~--~ l'i ' 1::.0 7 / .:::.!l!• lill ~~ ~ ~ -c' l'i ~ ~ ~ c. _$,4 1i~:/'L1.::0~~ ~ k o ~03~0~7~ -=- ~ • ~r.t. #0c.r..~r.t ~•k1>0m~~••L-r~~0ft~. •n0 Jl!Ulllf~r.t~- I· -~~ G L~~!ilf:!U* ~ 4 ~ 1i L. ~~~0~8i9Lf?~-~~-c. ~ r..K~ftk~~~~KG~~Mtt0k\iL ~~~~~~~~~K4~~.•n0m~nc. ~? ~~ -cr.t, ~ ~ o 0~t1J ~il,~ ~ ~ \ ~'@ ~~"'[, 7~-t)-~~N0~~~0~~-~-lt"'C ~~0~~bft ~ -c~~. ~7/ -=- ··~0~ ~o~. ffi0~6C.M.1kr.t~:I'L~~0mH t£ ~ i ~ -c, J'H~ i1!i ~ :I'L 1.:: 01':1, ~ - ~ - ~ ~ 0r..:/'LG0~~~r.tt~-c~~ ~ k . c.~ ~ -c i~~ ~l'i~~10 . ~:/'LK~ ~ -c. ~·~~ "@ Li ~. U'rf"@il~J'C;Jn, rlli~#:"J~Y/.::h"J :mWJ"J~f'F~~Iv"C, Lttv->f:f'Fr!IJ~U: L"'C"J .#v->~ftlv~"@<~LU'~~G~kt~ -~~~~~v-~k~ - ~-~~#. ··~· ~ . v->i~Gv->~1-cttv->~t~-c~~~o "J~~~~tK. ~"Jft~K~~V>k"J~. ~ it~ . ~~"J~~~v-?.¢.i:-r~ . itt-t~~ic tJHc.t~~ 3-4&F~v- ~ t~t~"Jt~-c~~ ftmtts9-c·~tv-f: L~t. ::<.lj-J'v'/ * "J£~m 3··K~~kt~ ~1·~·2·)~. m 2•~K•<~m~~~~~~~t~fi~b "@ t lvta ~ t c. i tt1JJ)l1J"Jf'I'J!ID."J r!• f: t. ~-~-~ ~ ~~"JJ!ID.M~~t~~~#G~ 't ~~ t q) ~\A-~ tt ~ ~ 0 ~~. -t"Jf'Jo ,f,',1'9~3 1lH:~~/'~-~~~~. 3 l ~I~f'J'Iii'•"C, ~- 1· - ~~ G Lv->J1iilfi~Jt t t-lliil~. il't ~ i!ii ( ~Tfii f: j,- Ltt ~ ~ ~ ~ ~ \A ~ 0 ~ 1::: J 7 ;;<. 4' - ~ 0 1\:li~"CfJJ~~~k~ ~. "1 F~il~t01ll1 ft~ f'ifH L (tv- ~1ttil'Y. L. ~-I·-~ ~~~G k o ~-'/ 7 ~~0t~~~~. tl~0~D~ ~ (~l:J~~~~t~~~V>k., t.h· t1§'•* ~L~0~~Lk~~~. ~L~--c~t~ ~ k o •~~~t~tv- o ~-~-~~~m~K Slvfto U't~K~a~tt~~~ - n. ~~ ~L~-·~t~0~~'tffiAK~~G~i v->~ L~. t ~ ~ GfC'G:lmtlfttAIJ!il ~· Gv-~~ t~ ~ k o A~~'t~Lk#~0~®~v- ~ t ~~:~ < tGtv-o t~ct~il,, ~1v~;~:~t ~ .!-P:~ ~;: Ui, Lttv->f:~~fi<.Jt t 0 ~ t ~ ~k ~ v->:b~~ il~ C 'J - ::<. f: ~ ~ ) . t~tt~, ~- ~ -~ ~il~ ~t~ ~f:;h ~~. r" 1 ~ If'~ ~ ~ .iJi· G Lv->JAJ:ft:il~ t 0"i'\I t~~0W,'iM:~ t \J (. i ~ ~ V>t~ <7)iJ> t f.il~ t V>o -~tg~K~Ivft ml •·~G. ~-~5~ • ~~-v~Gt~~ft~~t m2•• · ~¥ rr:t-c·, L il' t IJ.l<:bv-> f: ~ lvtt ; ;cr..·;; I· 0 m3 •·· 7°VAT -1' '-'~. ~.i!lfC:~Ivtt, ~'f ~ L < JJi!llv-> 7 -1 1-- v0m 4 -·~~. Jill~ :i!Jfi'f~~\A ( 0 BEETHOVEN 1::!'7 / .=.m~ llllm 5¥ =-:iii:~ fF~7o c7) 1 r i!l!JmJ r<:-r -r<:/ 1770-1827 '-'"" lJ ·;; I· 0i.i!}fJ 't L kk~t~0 ~ , 1802&F 0::~-cth ~ k o Lil,Lt 0 .ilV:'~ . ~ ~ "@ J: ( , ~- I· - ~ ~ f: ~ ~ ~ [l=. ~ 0 ~;;k:)Jij 't :~· If~ t0~~tGt~ ~ k o ~-~L~0~$'t Ji'!lifa·~~~- ~-«~~ . -t0i.i! ,1 f--t~ ~ il'~ ~L~. ~0~~Lv->~~®~'t~~~~. ikf'F~0~-ct, V>:b~~~M0, &MK~ ~k. k(iLv->f'F&~~::JJ~v-~~'t~L~ ~~k0-c~ ~ k o ~f~f0.f'F, ~M~ ~ ~- ~ ~· f:1=.~t.:~~~\A ( 0 .=. ~;i!.~ ( f'Jo1\i't700 1) 0 t:• y J .= .ill ~· III J ~. tz ;t~;jjtd (f'JoM,7002 ) ~tGiv-r, ~tf:1808 &f'0f'F~t ~ ~V>~ o ~-rKm6~i-c0~B 22 23 ~~mK~!:>~L"'CV>k~-r-~~~~K. tt ·~-v->~3"J~··~-ea;!:>~~G. ~Ltd~" Ji!lH:f:fJ{rllJ"Jv->t.:J.> ~ t. ~~~ ~[:<; t G ~ l.>o LifUf ' 1!1!111-!J "J,IJIJ ~"'E!if~J.>.::.ll!:l'~ Yi, ~••ottMo~•-~m•~~J.>t.~'i> <1;7.>~. ~L:'K~~ ~-O·K~ ~ "'CV>k~ !:> RJ!l,q:~~ ~ J., 1827,q:".)fj:- t. "J r!JH~ L"'C 'i,, ·~-~~a•~f~~••~~m~tt~mu -c ~ "'CV> J., t. ~ ~. ·; -T ~ ~J'\;"J Iif"J :fJII!iX. ~ -~~ · ·-~~~-~"J'i,"J~G~t-c 1iJE1$~ . ff'fl~fj(j~ 'i, "J-" ~ ~ ~ "'CV> J., t. ~ ~ ~. ~~!:>o~~~-KK~~b~V>~kt.~ -1·-~~"J~ tm:::. J!ll!l;l;"J IJIJIIt\'- t.i~iP ~Gl;!:>Gl;!J ~!Jmif/h"'CV>l.> o U>'i,, :/ .,_ -~ ~ ,e,,"J :tJ>If !:> "Ju-t;: 'i>-;:-, 'ilJ -c- :fJ{.* L < ~::: t }V r "J ;1 o 7' 1 Yi. ITiJJ ~ fi~:, "? 'i> "J ~-c--cv->J.> o ' 1!1!1~11J 05JIJt'.Yi. m 2 ~i;i:Oi?#. -c~~ <. 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OCLC number	867541850

12th Osaka International Festival : The Beaux Arts Trio of New York [program]

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